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ART IN THE BIOTECH ERA


Melentie Pandilovski, Editor

Published by the Experimental Art Foundation

February 2008

 

Biotechnology promises to have an even more profound impact on culture than the electronics and communications revolutions of the last decades. It will change our basic concepts of life and humanity. It will challenge us with new unprecedented capabilities to manipulate life. What are the philosophical and ethical implications of all this? What role should the arts play?

Melentie Pandilovski’s book ART IN THE BIOTECH ERA brings together artists and writers who approach this question from many diverse positions — systemic, critical, positivist, aesthetic, and postmodern. Including documentation of art in addition to essays ART IN THE BIOTECH ERA is a major tool for artists and theorists working and playing in the dynamic field of bioarts.

Stephen Wilson, author of Information Arts and
Border Watch: Artists Working at the Frontiers of Research.

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ISBN 0-949836-52-4
210mm x 210mm
234 pp/36pp colour images

Melentie Pandilovski has succeeded brilliantly in assembling a collection of articles demonstrating how rapid developments in the Life Sciences and technologies have dynamically transformed these fields. The distinguished authors employ an interdisciplinary approach, moving between ethics, philosophy of science, technology, science per se and art, along with their shared metaphors and models. This exciting approach opens new vistas of possibility for a close collaboration between art and technology – and in this case – biotechnology – and suggests fresh aesthetic categories in the developing field of “biotech art". ART IN THE BIOTECH ERA is a cutting-edge book and a must read.

Arthur I. Miller, author of Einstein and Picasso, and Insights of Genius.

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Art in the Biotech Era is produced with assistance from the Gordon Darling Foundation, Marathon Resources Limited and South Australia's Premiers' Arts Fellowship Fund