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The essays in this volume represent some of the best thinking about the crucial relations between visual representation in film and human subjectivity. These essays examine the tradition of a centred, unitary, distanced and objectifying spectator’s gaze, investigate the period when film spectatorship began, and analyse gender and sexuality based challenges to the homogenous classical theory of spectatorship.Essays are grouped around topic areas Vision & Apparatus,Authors include Jonathon Crary, Vivian Sobchack, Anne Friedbereg, Miriam Hansen, Tom Gunning, Judith Mayne & others |
